Double Review : The Walking Dead - Season 3 - Episodes 11 and 12

Here be spoilers. Enter of your own free-will.

I AIN'T A JUDAS

After the tension and terror of last weeks finale, you'd be forgiven for thinking that we;d be hurtling straight ahead into the war between Rik and Phil, but not so. That vicious little play by The Gov was nothing more than a prelude to a bloody, feral kiss. And like all kisses worthwhile...its the waiting that really makes it worthwhile.

This weeks episode trades action and horror for character and nostalgia, as we slow down, catch our breath, and spend some time with our gang. Its an almost action-free zone, but only if you consider excellent set-up, character interactions that sizzle, and a re-union of long lost buddies to be lacking in action. Not to mention, we finally learn the whereabouts of Tyreese and his chums, and its quite a shocker.

The main focus of I AIN'T A JUDAS, is in fact, Andrea. Now before this gets your titties in a twist, it should be stated that for the most part, she merely acts as a conduit for the coming events. Like most of the season, she remains frustratingly indecisive, but whereas before now, many have saw her lack of horror at Phil's actions as baffling...now its taking on a different tone, and one that altogether more satisfying, and interesting.

First of all, I should say that I have little problem with Andrea. She hasn't been clued into what we, the audience, know about Woodbury, and yes, shes made some fucking stupid choices but I'd bet my bottom dollar many of us would make the same choices. After a year on the road, starving and, well, dying...I;d be more than willing to overlook a head-aquarium if it meant I could get some fucking sleep, a decent meal, and even a chance to get laid. Phil's a pretty convincing guy, and when you look at the whole situation through her eyes, its an easy spell to fall under.

All that's changed now, as she finally learns just how cruel, devious and downright fucking murderously crazy this guy really is..and from her old friends no less...

Although its far from a happy re-union. Its a very enjoyable one, as we get to see the group through Andrea's eyes. After all, last time she saw these folk they were rellatively well-rounded individuals hanging out on a farm. Now they're all sorts of fucked up. Not to mention, Rik treats her like a stranger, and she's lost the trust of most of the group, but the mission they give her is the meat on the bone here. In short, they give her a sharp blade and a few ideas about how to handle the Phillip situation. Carol in particular shines in these scenes, as we grasp just how damn tough and no-nonsense shes become, Again though, its the dilemma that really hits. In short...kill the fucker in his sleep and lets all move on with life.

Now, we soon come to learn that while some part of her desires to do it, she cant go through with it. Its a pretty tantalising moment, as Andrea is no longer living n the dark. Shes fully aware of whats at stake...the lives, the violence, (hell, even the kids may die, as The Gov is now recruiting his very own Hitler Youth), and yet she still cant do it. Some will view this as typical Andrea nonsense, but I think it gives new dimensions to her character...

Does she love him? Is she gong to stand by his side, no matter what? Knowing what she knows, will she take up arms against her previous group?

Shes finally been afforded a bona-fide moral dilemma, and I'm invested in her more than at any previous time since season one.

Other moments of not this week are the brilliant scene between Hershell and Merle, where we get to watch these two accomplished actors eat up the scenery with their performances. Its also a helluva lot of fun having Merle in the group, and his humanity, what little there is of it, is peeking through the curtains. The situation that Tyreese's group find themselves in is a neat one too, and will pat off some way down the line when the choice comes on whether to raise arms against Rik, (who could blame them), or learn the truth about Woodbury, (not quite as likely). No doubt the two assholes in his group will join up with The Gov, but Tyreese? Who can say?

For zombie-addicts, there is very little on display this week, though there are two things worth mentioning...theres a scene where Andrea takes a leaf about Michonnes book and 'de-claws' a zombie, (yep...that;s what I'm calling it), that is as brutal and gruesome as anything the shows offered up. Also, theres a really subtle addition of zombies in the distance in nearly every scene which really heightens the atmosphere and the sense that any conversation or interaction must be quick, as the shambling dead are ever vigilant. Its a clever choice and I hope we see a lot more of it in the future.

I AIN'T A JUDAS is a crossover episode, but its one that's deceptively full of new information. Its a prefect set-up for whats to come, and it sets the stage for some clever moral dilemma's as our groups play this life and death game of 'musical chairs'.

Oh, and the dressing down of Rik, by not only Hershell but by his own son, too? Brilliant. Emotional conflict is every bit as important in THE WALKING DEAD as is chaos and action. Another great episode in an arguably flawless season.

CLEAR

Episode twelve comes as a complete surprise in that it eschews the main story altogether for a more nuanced, even-paced snippet of life in the land of the dead. Arriving under the multi-faceted title, CLEAR, is an full-tilt example of THE WALKING DEAD at its very best. In many ways its the shows most resonant and powerful episode since the pilot. Content, atmosphere, depth and character all take precedent here; and coupled with some of the best writing the show has ever boasted and a striking performance from the mighty Lennie James, this very well may be the shows high-water mark thus far.

True, its potency would be lessened without the context in which we view it, but after three long years of watching Rik's unending journey into a darker world, its bittersweet and deeply sad to return to where it all began, and to have a light shone on just how damaging this world has become to the psyche's of those left to rot, while still breathing. It also stands as a brilliant reminder of what Andrea must have experiences last week. For us, the audience, this is our first trip back to visit Duane. And like Andrea viewed the group...with fresh eyes and no idea what hell has transpired...so do we view our old pal.

CLEAR works as a stand alone episode, (or would make a particularly excellent double-bill with the pilot), in that it leaves behind most of the characters we know and love/hate, and focuses solely on the trio of Rik, Carl and Michonne. Of course, the return of Duane is a powerful development, but this is less his story than it is a singular story detailing just how far the apocalypse has pushed Rik out there. Daune acts a particularly crazy mirror, and helps us better understand Rik's ongoing transformation, (and just where he may end up if he's not careful). But this episodes bulk is all about understanding Rik, and how he's come to interact with those around him.

In taking the enigmatic Michonne along for the ride, CLEAR manages to breath new life into her one-note character. Within the stories runtime, we get to see a side of her thats been well and truly hidden until now. I would say its long overdue, but in truth, the thawing of her heart towards these people is all teh more powerful, and uplifting, because of the time its taken. I never thought I'd use the word 'uplifting' to describe THE WALKING DEAD, but there are glimmers of light in this episode that whisper to us that all is not yet lost for Rik. Every bit as importantly, the same can b said for both Carl and Michonne. No one hear is untouched by the horrors they endure. Yet the shows underlying theme of unity really comes to the fore here, and its god-damned refreshing to feel a little sun on your face when all is so dark.

Between this episode and the previous chapter, the story has slowed from its breakneck pace to give way to some very unexpected nostalgia. A sort of nostalgia that is bot thrilling for the viewer yet unquestionably painful as we see how things have changed for these people. And two of the characters most in need of some real substance have been given the upgrade.

Michonne has rooted herself firmly in my fave characters now. As what once appeared to be lack of depth is turning out to be the exact opposite. She and Rik have real chemistry, as does she and Carl, (who continues to impress as an ever-evolving bad-ass-with-a-heart), and its easy to view the three of them as a perfect tough-as-nails nuclear family for the zombie age.

The set design in also impeccable in CLEAR, with Duane's domain looking like a survivalists wet dream meshed with a padded cell. Theres a real post-apocalyptic vibe going on there that really sells the idea of this once picturesque town going all to shit. And as I mentioned earlier, Lennie James is just fantastic as Duane. We're given a vivid interpretation of a man pushed way over the edge, and the scene between he and Rik as he described just how his boy went out, and expresses some home truths about the world they inhabit, would be the episodes highlight, were it not for its finale.

We open with a hitchhiker, and one whom our trio steadfastly refuse to acknowledge. Its cold, its disheartening, but its realistic and in keeping with tone. As we see him disappear in their rear-view mirror, the scene feels complete, but in a somewhat genius move...the episode ends with our gang making the journey back. Not only do we have a grin-inducing scene that hints at redemption for our heroes, but not ten seconds later, we learn the fate of the hitchhiker. The poor bastards been slaughtered. Our characters don't miss a beat...no emotion is betrayed. This in itself would be perfect, but in the final shot we see their vehicle reverse, as they stop to retrieve his backpack. Its cold, blackly funny, simple and brilliantly evocative of where we're going with these guys. With no words, it says a great deal, and very quickly knocks the warmth from our hearts, or at the very least dims the flames.

So, we've had an episode that reflects the calm before the coming storm, (and sets things up nicely with heroes on all damn sides), and an episode that actually knocks the quality of the whole damn thing up several notches. This has been the quiet before the cacophony. And in a season that has rarely paused for breath, its been a well-judged move on the creators. I AIN'T A JUDAS has finally given Andrea something vital to do, and set up some allegiances that i don't think anyone saw coming, and CLEAR....well, CLEAR is just fucking perfection. This season just keeps getting better and better. The stakes are incredibly high now, and everyone's potentially on the slab. With only four episodes to go...the end is coming, and its gonna get messy.

And did anyone else notice that sheet in Morgan;s lair that said, 'Not Shitting you' on one side, and on the side with the bloody axe, said, 'Told you'? That was just fucking awesome...

No score required, as always.


Authors Note : Its been brought to my attention that this episode was written by the new Showrunner He also wrote some of season 2's standout episodes, including EIGHT MILES OUT, (another semi-standalone tale), and PRETTY MUCH DEAD ALREADY....this bodes pretty damn well for next season, despite my loyalty to Glen Mazzara's vision.

Review : The Walking Dead - Season 3 Episode 9 - The Suicide King

It's been a long bleak winter, man...I'm amazed we survived it.

Watching the mid-season finale was a double-edged sword for all of us, wasn't it? Sure it was every bit as awesome as we hoped it would be, and it left us hanging on the wire in a most merciless manner, but damn...Soon as the episode ended, (well, perhaps a few hours later), and the heart started pumping at a rate less concurrent to fatality, we all felt the inevitable post high come-down, and what a fall it was.

As good old 'Ned Stark of Westeros' would say....'Brace yourself....winter is coming'

As Christmas and its merry corporate sponsors circled the waggon's to relieve us of our hard earned cash, buying bullshit we couldn't afford for our kids who didn't deserve it...we waited...

As relatives long lost (usually for good reason), arose from the murk of the past to drink all our most expensive booze and eat all our overcooked and undervalued food...we waited...

As Nicky Minaj's unfathomable fame continued on its gruesome ascent, unabated...we waited.

And then came the real kicker, as the stupefying news reached the net that show-runner, Glen Mazzara, (the man who dragged our favourite series up by the scruff of its neck, slapped it about, and made it the vicious, unrelenting beast it was always meant to be), was to be replaced in Season 4, and AMC  shattered much of the goodwill and yes, positive feedback, garnered by a man who truly cared about his work and the show he was running. Still, beaten and bloodied...we waited....

Yet, as good old 'Kyle Scott of The Horror Hotel' would say, 'Calm yourselves....the spring is coming'

Finally, and after so much heartache, alcohol poisoning and drug-addiction, there is light at the end of the tunnel. The universe has decided to throw us a frickin' bone, and make Sundays a day to rejoice in the glory of all that is good once more...THE WALKING DEAD IS BACK!

Yep, put down your suicide kit and throw away the dirty needles...you won;t be needing them anymore. The stellar Season 3 of the most visceral, unnerving and downright brilliant horror series of all time is once again with us. And I think I speak for all of us when I say, its been far, far too long.

Welcome back, old friend, welcome back....

SPOILERS AHEAD - IF YOU HAVEN'T WATCHED YET, GET THE HELL OUT OF HERE!

Or should I say, 'friends', because that's what picking back up with 'The Suicide King' feels like...a long overdue reunion, albeit one seeped in misery and violence. We've all grown to love these characters, and under Mazzara's tutelage, there's not one member of Rik's group who's expendable. The loss is felt every time we see one go, and its to Mazzara's credit that his merciless pursuit of the perfect TV thriller has suffered so many casualties. No one is safe.

Episode 9 kicks off in whats now the shows default setting...'hit the fucking ground running'. Its an action-packed, heart in the mouth scene that picks up right where the mid-season finale left us so tortuously hanging...Daryl and Merle are about to square off....

The scene is indicative of what this season has stood for...razor sharp writing and action that serves to deepen the characters, and enrich the story being told.

When last we saw The Governor, he had just suffered through perhaps the most shockingly brutal brawl in terrestrial history, with the equally vicious yet far less insane, (I think), Michonne. He lost an eye in that battle, but he lost a whole lot more besides. With the 'second' death of his beloved daughter, the ever-loosening grasp he had on any sort of empathy or humanity has been brutally and tragically shorn away, and as we watch his gleeful emergence through the smoke during this episodes opening battle, it's immediately clear that the toll this new world has demanded is finally, fully being paid. He was never a beacon of sanity, but now, he's crossed even more lines. It seems like his desire to control his people and his environment is being replaced rapidly with a hatred for them; one that's long since been buried under a potent concoction of self-delusion and a fathers desperate love. With his eye now gone and the famous patch surely on the way, The Governors emotional descent is beginning to be matched by his physicality. The scars are on the surface now, for all to see, both literally and metaphorically, and it looks like we'll be seeing just how deep they run very soon.

Even more disturbing is Rik's parallel journey into madness. I've often stated that the two characters mirror each other almost perfectly, with the only real differences, being that Rik's great losses came later than Phillips, and that his morality is more deeply engrained. Though now the rot is now fully setting in, the lines are becoming even more blurred between these men. There are some scenes late in this episode that really hit home just how far Rik's mental health has deteriorated. The final moments are, in a show that's no stranger to heartbreak and misery, among its most painful and affecting so far. As we watch Rik completely lose his grasp on reality in front of his full group, including his son, the shows sense of tragedy reaches perhaps a new plateau. His breakdown is all the more excruciating as its brought on by a recurrence of the situation that led to his wife's death. He's had no time to grieve or to find balance, and the losses just keep coming. And now, with the imminent approach of The Governor and his cult, it's not looking like he'll be getting any R&R anytime soon.

More tears are shed this week as Daryl faces an impossible situation, and makes the choice to leave the group rather than leave his older brother behind. Its a frustrating choice, but its the only one a man like Daryl could make. The effect it has on Rik is very telling too, as it's clear he's come to truly rely on the man as a friend and as his strongest ally. It'll be very interesting to see where this story arc goes. Our characters are dropping like flies, either to death, despair or madness. Hell, even the normally collected and docile Glen seems to be reaching his limit with the madness this rotting world has brought in its wake. These people are the walking dead, indeed.

In fact, its the women who are holding things together with the most success at this point. Be it Andrea's reconciling of a damaged and traumatised Woodbury, or Carol's painful yet philosophical approach to Daryl's departure, or even Suzie's nurturing of Rik's new born daughter...the female of the species seem to be coping with the horrors that surround them with wits, intellect and no shortage of understanding of whats important in the dying world. Its a subtle but much welcome change from the women of Season 2, and again, credit goes to Mazzara and the writers for giving the girls some real substance and merit in this tale. (Tyrells wife, though I haven't caught her name yet, seems like another capable, strong and grounded women that will only further elevate the show).

The goodies don't end there, though. If you thought that insanity, power struggles, heartbreak and sorrow weren't enough, we now have yet more dilemma's to deal with...

A third group of survivors, introduced in Ep.8 but now taking centre stage as vital and important players in our bleak tale. Their leader, Tyrell, is an instantly likable and identifiable character, as is his wife. They're moral code is yet to be broken down. Even when faced with an opportunity to improve their less-than-promising situation by use of force, they elect to fore-go this potentially life-saving choice...they choose to trust to human decency.

Sadly, its an choice that doesn't pay off, as Rik's capacity for trust in his species has all but died. And that's where this fantastic episode leaves us hanging. Rik's losing his groups faith, he's publicly shown the true extent of the damage the new world has wrought on his mind and soul, and he's cast good people out into the cold, dead night.

As an opener, you couldn't ask for more. THE WALKING DEAD continues its astonishing ascent to legendary greatness, and we still have seven episodes left. Sadly, as you sit in front of the box with your heart racing and your emotions roiling, you can't help but worry for the shows future. I'm sure things will work out fine, but it stings to think that the fella who handed all the naysayers their asses with this stellar season, will not be returning for Season 4. For these remaining episodes, though, THE WALKING DEAD is in the safest hands possible. The same can't be said for it's gallery of wonderful, tragic characters, but we wouldn't have it any other way. Mazzara and this show were made for each other.

No score needed, as usual... you all know it gets the highest rating.

Review : The Walking Dead Season 3 - Episode 6 - Hounded

(BEWARE, HERE BE SPOILERS....There will only be spoilers regarding the episode. This review is based solely on the show. Hope you enjoy - Kyle )

After five blistering episodes on the trot that dealt with internal and external rot, both of characters and of civil and moral direction, we finally arrive at the crossroads. This episode is may admirably juggle a whole slew of plotlines,(never dropping the ball once), but at the end of the day, its all about the beginnings of convergence.

So far, this season has been pretty damn merciless in putting its characters through an emotional and ethical wringer, and just when we figured we had the chance to come up for some clean air, unpolluted by the dead and the dying, we're thrust right into the story proper.

the characters are all established, the cards are mostly on the table, and the chessboard is set up for some wonderfully contrast and comparison between our two groups. One one side, we have our long-time companions, Rik and gang, and on the other, of course, we have the ever-festering core of the Woodbury apple. Its been a long time coming, not that we noticed, but an unstoppable force is about to encounter and immovable object, and its gonna be great.

We're not there yet, though.

No, this week is all about setup, and what a setup it is. Any questions regarding the ease of Michonne's departure from Phillips all-American deathtrap is settled immediately, with a tense, satisfyingly violent and even funny sequence which shows that our Katana wielding bad-girl is every bit as at home slicing and dicing the more mobile scum and villainy that pepper the apocalypse as she is the shuffling dead. Her wordless punchline to Merle's cynical comment to his nervous group is a perfect crowd-pleaser moment, and once again, the building if this character takes place not with words, but with actions. Michonne remains something of a mystery, but through her manoeuvres, her smarts and her well-honed killing skills, we're slowly coming to understand who this gal is. By the end of the episode, we've learnt she's not above asking for help, even if she will never say it out loud. Like all of our survivors, from Phillip to Rik, and from Daryl to Merle, theres a human being deep down under the hardened shell, scared to show itself for fear of the pack.

Well, maybe not Merle...

The big guy has been far more reserved this season than in the first, and it's a wise move to go this route. Sure, the racist sonofabitch was on crack or some shit when we met him, and wasn't exactly in a contemplative mood, but to keep the character at that level would have hurt the story being told. For one thing, Phillip would have put the fucker down on sight.

His cruelty and devious nature is still there in full force, though, as displayed by his cold-blooded solution to the 'Michonne' problem. Killing that kid may cover your tracks for now, Merle, but you can bet its gonna come back and bite you in the ass big time when your boss learns of your lie. We still haven't really seen what The Gov in truly capable of, but we have seen you do your thing, and if a supreme badass like yourself is scared of this guy, then frankly, so am I.

Speaking of the Gov, his true nature continues to surprise and confound. He's two parts gentle, intelligent leader and one part rage-fuelled, simmering psychosis, and is so well-versed at hiding his more base nature, that its easy to see how one would follow such a person. More and more, Phillip is calling to mind a perfect storm of cultish appeal and political savvy.

Rik's descent continues this week with a dark night of the soul following Lori's death. The scenes by that ringing phone managed to keep us guessing right until the conclusion. What begins as a dark, frightening look at a man breaking down, ends up becoming a tender passage of redemption. If last week we shed tears of despair in the wake of the most recent losses, this week, mercifully, we shed some tears of happiness. Seeing Rik with his kid is a beautiful moment. we know its going to be short-lived, but in a tale this bleak, these little glimmers of light sure do satisfy.

I mentioned way back at the beginning of this review, that HOUNDED is dealing with convergence, and its in the final scenes that we begin to reach our inevitable destination as Rik and crew's fate draws ever nearer. The groups are beginning to merge, with Glen and Maggie on one side, and Michonne on the other. Whats to come remains anyone's guess, but we can be sure of one thing....there will be blood.

Now that all the pieces are in place, it looks like we're all set for one hell of a showdown. HOUNDED lays the much necessary groundwork for future episodes, while maintaining the chaos, tension, heart and heartache that we all expect from the show.

Daryl finding Carol, and Rik finding himself may tempt us to hope, but the sight of a desperate Michonne standing among walkers at the prison gate heralds the coming of much worse, much more human danger. Hang in there, Glen and Maggie, I think I see your friends coming, riding many miles.

No score required. THE WALKING DEAD abides....

Review : The Walking Dead - Season 3 Episode 5 - Say the Word

Here be SPOILERS. Watch the episode before reading, guys.

Its five for five from THE WALKING DEAD so far, as the shows third season continues to startle, stun, shock and surprise. SAY THE WORD is yet another winner of the highest calibre.

After our opening scene, which ranks amongst the most disturbing and heartbreaking of the entire series, we're immediately thrust into the now dangerously fractured mind of one Rik Grimes; and the man isn't doing so good...

The episode begins almost as soon as last weeks KILLER WITHIN ended, with Rik suffering from shell shock after the death of his wife. Most startling about this opening scene is that Rik's pained vocalising of last week has rapidly been replaced with dead silence. The man says nothing at all this week as he goes about the business of violently externalising his agony. His one word comes at the very end, (and it's couldn't come at a better time), but his actions speak volumes as he sets off into the prison on a vengeful rampage, essentially mowing down all the walkers he sets eyes on. This is Rik as we've never seen him before...completely, frighteningly fucked up. Whether his insanity is temporary remains to be seen, but whats surely a certainty is that the trust that his group has put in him is going to be severely tested in the future, especially for Glen. Rik's morality and civility is crumbling before our very eyes now. Strangely, while all the fans clamoured for this level of darkness in the show, (and in Rik), is damned depressing to watch the leader of the group disintegrate this way.

Rik's been on a very dark path since way back. It could be argued that his descent began when he chose to step up and pull the trigger on Sofia, but I believe it was with the murder of his best friend that the rot truly started to settle in his bones. I have no doubt that he's still a good man inside, but he's fast losing all that he fought to hold onto...as murder and death become an everyday occurrence, his sense of right and wrong, and the vast grey areas in between, are tearing him apart. Add to this the loss of someone so dear to him, (and one of his only real anchors to hope, despite his recent coldness toward her), and its becoming clear that the once stoic and trusted leader may be becoming the most dangerous thing in the prison. I hope he can pull himself back from the abyss.

Rik's outwardly feral rampage this week is smartly contrasted with the events in Woodbury, as the Gov and his people are preparing for a special night of partying and celebrating their small victories over the encroaching apocalypse. Andrea and Michonne, (who shows some much needed character depth here), are still at loggerheads over just what this community truly represents, and it all comes to a head this week, as Michonne does some amateur investigatory work, and finds herself some zombie-pens, and a pointedly strange journal in the office of the big guy himself. Its all great stuff and once again, David Morrissey is brilliant as The Gov, (especially in the moments when he wrongly suspects Michonne knows of his daughter), but the real meat is this episode is an intellectual one, as the lines are being surprisingly blurred between Rik and the man who will surely become his nemesis.

Both men have many striking similarities...they are both family men, who have both lost too much to bare. They both appear willing to do anything to keep their families, (and their people) alive, including the killing of practically anyone who may, (and the key word is 'may', here), be a threat. Both men are driven by demons that seem too powerful to defeat, and both are born leaders.

The differences are as sublime as the parallels...Rik wears his emotions on his sleeve for all the world to see. The Gov hides it behind a winning smile and a charming demeanour. Rik struggles to continue to do what he believes is the right thing, (even though it most likely caused the death of his wife), whereas The Gov has accepted the moral decay that this new world demands, and is using his rage to conquer at any cost. Both men have a deep desire to look after their people, but they're motivations and methods appear to be eons apart.

The real crux of these characters and their dynamics is that neither man is entirely good, or entirely bad. The Gov may simply just be a little father down the line than Rik. After all, we know whats become of his firstborn...

SAY THE WORD throws up some pretty unexpected questions for the viewer...not least of which being, 'Who would I rather stand with? Rik or Phillip?'

Its a question I never expected to be asking myself, and as yet I'm unsure of the answer. I cant blame The Governor's reaction to his beloved daughter's condition at all. His 'entertainment' this week was initially pretty shocking, but his justification of it rang very true to me. If I had lost my loved ones to the undead, I would want my blood-lust, and my fear, to be satiated. The manner in which The Gov calculates his mastery of the walkers/biters is no more brutal that Rik's axe-swinging carnage. Both are forms of catharsis, both are disgusting, but one of them may actually serve to lift the community from the fear that has paralysed it since the plague began, and that one ain't Rik's.

It's a clear example of a deeply troubled man using his wits and his cunning to overcome the seemingly impossible, and it makes for great leadership. Phillip is clearly a very dangerous individual, and I think we're going to learn just how dangerous very soon. Michonne may have walked free, but for Andrea, it may be too late. There;s much more going on with this charismatic bastard than we're seeing.

If the whole episode is essentially played out as some very exciting and tense food for thought, the final scene is the icing on the cake, and manages to take the show to even more grim depths than before...

As Rik finds a spent casing, and a puddle of his wife's brains, on the floor where she died, he hears moaning and comes across what we quickly realise is a very well-fed zombie. The hair caught in its teeth give away the game....this walker has been feasting on the still warm corpse of his dead wife, and has had quite the bellyful. Rik's actions in these closing moments speak volumes as he not only stares into its dead eyes as he kills it, but he stabs its gut repeatedly. It seems that the Rik who felt sympathy for the first walker he encountered way back in the pilot, is long gone. He's not only seeing these poor creatures as obstacles here...this is deeply personal. Worse still, did anyone else notice the voice that whispers , 'Murder them' just as Rik spots the walker? You may have missed it, but it's there, and if this is Riks inner voice, who is it referring to? The undead, or the people he may hold responsible for his wifes demise. Its very telling that he stabs the zombie is the stomach repeatedly, and the stomach very much resembles a pregnancy. Does he blame the child for Lori's death?

Other scenes in SAY THE WORD point at brief glimmers of light, as we see Darryl step up in Rik's absence. He looks every inch the leader the group needs at this point, and his scenes with the newborn baby are very touching, as is his journey with Maggie through the primary school, where a certain childish decoration opens some old wounds. We still have no word on Carol's whereabouts, though the group believe her dead, and its anyone guess where this thing is going to go next week, but for now, THE WALKING DEAD remains king of the hill.
 
SAY THE WORD may be a less frenetic episode than last weeks heart-stopper, but its every bit as riveting. Makeup legend Nicoterro directs with real flair, and the script is drum-tight. We continue to go from strength to strength in this none-more-bleak epic.  Fight the dead, Fear the living. Indeed....

Oh, and now we finally know what gets Michonne's rocks off. Good play.


You know the score...don't make me write it.

Review : The Walking Dead - Season 3 Episode 4 - Killer Within

Spoilers - Watch the episode before reading on!

We're four episodes into the stellar third season of AMC's THE WALKING DEAD, and the show continues to go from strength to strength with what must surely be the most emotionally impactful episode so far.

Tonight's chapter showed off the shows new-found enormous set of balls in all their glory, by pulling the rug from under us with not one but two completely unexpected deaths. One of which will have real repercussions for the character's foreseeable futures. Not only was tonight's finale a heart-breaker; it was just about as dark and nihilistic as anything I can ever remember witnessing on television.

Lori's devastating farewell to Carl was, no matter where you stand on her character, a true tearjerker. Brutal and tender in equal measure. The woman may have done more wrong than right since the dead began to walk, but damn if I wasn't starting to sympathise with her. It was very sad to her go for a number of reasons. Not least in that her last interaction with her soul mate was a longing look through a jailhouse fence from a distance. No words were spoken, no one got to make amends. Love was not rekindled. The small moment between the two hinted at a possible reunion of the family that will now never be. Rik will never have a chance to make amends, the new born baby has been robbed of a mother, (and maybe a father), and lets not forget Carl...

Its been said before by many involved, that TWD is Carl's story, and with the events of KILLER WITHIN, its very much starting to feel that way. Like Lori, Carl is morphing from vastly annoying to genuinely likable, and as a father, its damn hard not to shed a tear thinking of a child having to kill his own mother. Living in the world he's in; if this kid doesn't grow up to be a psychopath, I'll eat my own sheriff's hat. No kid should have to bear this sort of weight. The use of a flashback during this scene really seals the deal....this boys innocence is gone forever. There wont be any more playing in the sun, or exploring for the sheer joy of it. Nope, it's all business now. He's no longer a kid, (or rather, he's no longer allowed to be a kid). In fact, he's making choices I'm not sure his father could make. The young actor who's playing Carl pulls off the performance too, (no easy feat), and coupled with Lori's final words to the son she loves, and has failed, the scene is a kick in the gut. That said, what then came only got worse.

Rik's reaction to Lori's death, and his realisation that his first born son had put her down, was tender, human and very authentic. Normally in my home country of Scotland, men only ever cry over spilt beer, but if Lori's death didn't completely reduce grown men to bubbling wrecks, this scene was sure to finish the job. Its hard to see where Rik can go from here, other than deeper and deeper into madness. At the moment, I don't see a way for the big guy to fight through this and maintain his spirit. And what in God's name is gonna happen to that poor baby!?

We also lost T-Dog tonight, and while his death was felt far less than Lori's, it still smarted. The big guy was beginning to come into his own this season. I would have liked to get to know him better, (and perhaps that's the effect Mazzara and crew were going for - make the man's death matter more, through the knowledge of what could have been).

While the prison is fraught with terror and chaos in tonight's episode, the scenes in Woodbury play out in sharp contrast, as we get to know the Governor a little better, and spend more time within his seemingly idyllic community. As with previous scenes in this dead-free wonderland, there is a constant undercurrent of darkness and deceit. Its to the creators credit that the town setting actually manages to feel less safe than the prison. TWD is benefiting greatly from these expansions to its mythos. Nowhere feels safe. Even as Andrea and The Gov practically eye-fuck each over over drinks, the sense of dread and ever-deteriorating morality is always present.  If up until tonight this season has been growing steadily more dark'; the lights have now officially gone all the way out.

Even as Woodbury's citizens wander vacantly through their post-apocalyptic paradise, the truth is slowly beginning to the surface, via the ever-resilient fan fave, Michonne. Her character hasn't had a great deal of time to develop up till this point, (I'm sure we'll see that in the near-future), but as far as Woodbury is concerned, she's our eyes and ears. If Andrea is our hope for a better future, Michonne is our cynical paranoid side....the side that usually keeps us safe. This surface-simple burb is teeming with questions, and Michonne is the only one who's asking them. If I were her, I'd be a little less open in expressing my doubts.....if we've learnt anything, its that the Gov is not a man with whom to fuck, (although try telling that to Andrea).

And as for questions...they just keep mounting. Something that's playing on my mind is just who exactly led the dead into the prison yard. We're to believe it was Andrew, but if he was acting alone, then who the hell was watching Carol in the previous episode? And where is Carol anyway?

KILLER WITHIN, as with the rest of this season so far, finds a spot-on balance between intrigue, mystery, building dread and outright horror. This is as bleak as the show has ever been, (even topping Sofia's death), and its just as it should be. I'm gonna have to stop rating this season episode by episode, as its gonna become rather predictable. Yep...its full marks again for the best damn show on television, and the finest zombie epic of all time, bar none. I just hope Rik can hold onto himself in the coming days and weeks, but on THE WALKING DEAD, no one seems safe.

10 Bullet-holes out of 10

Review : The Walking Dead Season 3 Episode 3 - Walk With Me

After two enthralling weeks spent inside the progressively desperate minds of Officer Rik Grimes and his motley crew of survivors; THE WALKING DEAD takes a bold, first-time venture,( and a risky one at that) By casting its gaze far from the wonderfully bleak prison setting and our long-suffering gang for an entire episode, and focusing on opening up the world in which the tale is set; the risk pays off in dividends. This is one of the very best episodes since the shows debut.

While its initially strange to realise that the only anchors to familiarity in 'Walk With Me', will be Andrea, and to some degree her new best buddy, and fan-favorite, Michonne; we soon settle into this fresh, unfolding story, and it's every bit as engaging as the prison.

We pick up where we left of in the season premier with Michonne and Andrea struggling day to day to keep breathing. Andrae is dangerously ill, and no place feels safe. When they spot a downed helicopter and investigate, they find they are not teh only souls out there in the rot and ruin who are curious about the crash. Two cars pull up, and out step a group of well armed, healthy looking and potentially deadly men. Its a thrilling opening.

Not least because, finally, we meet the man himself....The Governor.

Its been a long time coming. Fans have been salivating for this most infamous of villains for quite some time now, and he doesn't disappoint. Needless to say, he's portrayed with perfect poise and predatory menace by David Morrisey. What we have here is perhaps the shows most complex and layered character so far. This is no black and white bad guy. He's all shades of grey...equal parts charming and dedicated politico and cold-hearted psychopathic bastard. A very hard man to read.

In fact, for most of the episode, those unaware of just who this guy is, will most likely find him perfectly likable, even admirable. Some of you may still feel the same way come the episodes chilling and surprising finale. Getting a bead on this guy is like catching mist in the palm of your hand. Where the character will go is unknown, but its a tantalizing prospect having this particular leader bump heads with Rik

After all, we soon learn that somehow, this particular community leader has managed to reclaim a small slice of cicilisation. He has created a well-gaurded community with no less than seventy three members, including women, children and even family pets. He has electricty up and running. Fresh water. A medical team. A well-trained and well armed team of guards, (including a familiar face to long-time viewers), and a safe and idyllic way of life awaiting those he chooses to bring into the fold.

Alternativly, Rik has a filthy prison block, very little food, ten or so survivors, no direction, a rapidly deteriorating sense of civility and for a medical outfit, he has a one-legged, half-dead veterinarian and a grieving mother who performs caesarian sections on zombies. Its easy to choose which team you may wanna play for, given the opportunity....

Though things are not what they seem in the picture perfect town on Woodbury. Safety and comfort come at a cost, as we come to realize in a shocking and powerful scene that, in effect, re-introduces this mysterious 'Governor' in a more true form. This is a man who's willing to do anything to protect his people, or is that to protect his power?

Thats the beauty of such a character...we have no idea, (unless we're readers of the comics, of course. And that aint no gaurentee, either), of where this guy is going. So far, he's a moral conundrum. Dedicated and driven, but by what? Hints at a past tragedy suggest this may be a damaged soul looking to do some good in this brave new world, but we all now how power corrupts, and in a town where the hierarchy goes unquestioned; tyranny can easily find a dark place to nestle.

The episode ends on some chilling imagery that poses more questions than it answers about this enigmatic, imposing man, and it leaves us breathless to know more.

Throw into the mix a creepy scientist, a susceptible Andrea, and the first real scenes of character development for the fierce Michonne, and you have a stone cold winner that points to a very bright and emotionally and intellectually engaging future for the show.

There is very little zombie action in 'Walk With Me', and its a good thing. The first two episodes were action heavy, and while its a blast, we want to know these people. This one is all character and story. If the pace is slowed down, the sense of dread and trepidation is sped up, and our understanding of whats at stake living in this nightmare world, is deepened.

THE WALKING DEAD season three continues its stellar run and has found the seemingly perfect balance of action and suspense, and is only growing more thrilling, and dark, with each progressive episode. The show has hit its stride and then some. With the world opening up to endless possibilities for moral and physical conflict, and with Rik's first truly formidable opponent looming large over proceedings, the show can only go from strength to strength.

Fight the dead by all means, but for Gods sake, fear the living...

All hail The Governor.

10 Aquariums out of 10

Review : The Walking Dead - Season 3 Episode 2 -Sick

!POSSIBLE SPOILERS!

Rik and the gang has successfully cleared out C-Block, but a new problem arises as they discover they're not alone in the Prison...

Any doubts regarding the huge leap in quality this season should be put to bed with this, the second episode. It made sense that last weeks debut would be a relentless thrill-ride, but no one expected the quality of the writing to ascend so high so quickly. As great as the opener was, for many, worries still lingered. Could the pace be kept up, could the tension be maintained, could the characters continue with this new found sense of purpose? The answer is yes. Shame on all you doubters. It ain't all zombies, but it sure as hell is all tension.

After leaving us on one hell of a cliffhanger last week in seasons 3's opening episode, THE WALKING DEAD returns and gives no quarter in its new found merciless mission to kill by suspense. After Hershell got himself chewed on, (which messed with my head very badly, as he's my fave member of the group), and Rik lopped off the better part of his leg, we were quickly introduced to the remaining prisoners, and straight away we're thrust back into the moment, full-tilt-boogie.

It's okay, you can admit it...many of you assumed that what we would have here would be a moral dilemma that would take perhaps three or four episodes to conclude. Much like the fence kid in Season 2, you figured Rik would spend days or weeks ruminating on the spiritual implications of 'survival of the fittest'. Hell, I adore this show, but I sorta expected it myself. Not happening, though...THE WALKING DEAD is no longer treading water.

Nope, this particularly tension-fuelled situation is resolved by the end of the episode, in the most satisfying and brutal fashion imaginable. If there were any of us left in any doubt about Rik's continuing rise to the position of badass leader, this should put that shit back in the bag. Most of the episode deals with how Rik will handle the problem of living beside some potentially dangerous criminals. and this time, he handles it like a boss. as we cheer him on, our hearts break for him as his humanity starts to truly dwindle. This ain't the upstanding cop of yesteryear, and the toll of this new world is really starting to show. It's making for riveting viewing.

The suspense in these scenes is incredible as the viewer shares a palpable sense of uncertainty with Rik and the boys. The spectre of sudden violence looms large throughout the episode, and when the levee breaks, it's hugely satisfying.

In contrast to these hyper-tense scenes, we had the situation with my man, Hershell, as the group battle desperately to save his life. There are some deeply affecting moments here. One in particular, wherein Maggie urges her father to find his peace while her heart quietly breaks, is truly a four-tissue- problem, and the conclusion to this story strand is as heartwarming and gentle as the prisoner subplot is vicious and cold. All in all, it's quite the roller-coaster.

Lori continues her transformation into something resembling a compassionate human, and has some of the very best moments this episode, but the real treat here is Carol, who has gone from depressive mouse to authoritative, determined and pro-active. She's one of the groups most positive members now. I feel like I'm living in Homer J Simpson's 'Opposite Land', and I don't wanna fucking leave.

Its official now...I'm calling it. THE WALKING DEAD has found its true footing. The blend of action, terror and drama is pitch perfect. This episode was fast and furious, yet lost none of the character nuance and depth that we've come to love and expect from the show. The dialogue is sharper, the violence hits harder and the surprises just keep coming. No cliffhanger this week, just a quiet, touching moment between Rik and his estranged wife, wherein his actions speak volumes and his emotional isolation becomes very clear.

One thing though....who is that watching Carol from the woods, as she works on the walker? I gotta know, dammit!

Is next week here yet?

10 Z-Sections out of 10

Review : The Walking Dead - Season 3 Episode 1 -Seeds (2012)

It looks like the writers and creators of THE WALKING DEAD have been listening to the fan's concerns, and listening good...

I don't mean the haters or the trolls; those strange creatures will continue to pick apart anything and everything that the rest of us love about this phenomenal show. No, I'm talking about the real fan's... the people, and we are legion, who are critical without being ridiculous.

It's no secret that a lot of folk's out there were turned off to some degree by season 2 of the show. Myself, I loved it like I love my jerky, but I can admit that it had some pacing issues and some of the writing was a little uneven. I had no problem with the episodes that featured a sparsity of the munching dead, and I came to care for all the right characters and find frustration with all the wrong ones. Shane was a fascinating guy, as were Darryl and Rik. I had a few issues with Carl's worth, but lets face it, he was a kid; scared and untrained. Lori was the cat who caused the most scratches on the couch, and while I often couldn't abide her actions, I found it easy to go along with her uneven behaviour. After all, I've never been in a fucking zombie apocalypse, so who am I to judge?

Still, while my love and admiration for the show and the cast never diminished, (and I've yet to meet anyone outside of an Internet forum who feels any different), the show clearly had the potential to rise to even greater heights.

With the opening episode of season 3, it's looks like it's reached them.

Glen Mazzara and his team are now in full control of the show, and this, let it be said, is a very good thing. There was a notable increase it quality in the last season when these guys took over, and its clear that its continuing into this new chapter of our tale of survival, moral disintegration and death. The show feels entirely fresh, with a much more focused intent on character nuance, action and suspense. This time, it all just feels much more balanced.

Now, I know its only one episode into the season, but it's very heartening to see our characters all become far more likable than we've come to know them. Time has passed, in our absence, (a very wise move by the creators), and our desperate group of survivors have all grown while we waited. A harsh winter has passed, and everyone has found their inner strength. Lets just look at a few of the great changes this episode brought....

The women are no longer delegated to side characters or spare wheels. The washing of dishes has been replaced by determination, courage, ability and yes, even a sense of humour about their situation. A scene between Darryl and Carol is amongst the shows warmest and funniest in its entire run; now who would've thought that? Also, we have the much heralded entry of Michonne into the mix, who can only further the female empowerment the show is now portraying. While there will surely be time for cooking and cleaning, (and it looks like these poor bastards could all use a good wash), the girls of the group now know how to fend for themselves, and have much greater worth to the group. Its a very good sign of things to come.

And what about the two main gripes that were aimed at season 2 ad-nausea...Lori and Carl?

Well, in the months that have been endured in the land of the dead, Carl appears to have become the son Rik needs him to be. He's put aside childish things and is taking the right steps to becoming a man. And Lori....Lori, by some miracle, was sympathetic in this episode. The writers have used the negative attention towards her character to help push her story arc, (and that of her families) in new directions. She realizes she fucked up, and seems so much more humble, and human, now.

As for her long-suffering husband, and the shows 'dead center', Rik has grown much colder, much more capable and much more complex. His scenes with Lori hint at an inner anger having usurped his despair. His relationship with Carl is far more realistic, too, and its very clear to see that he's become the harsh leader we all knew he should, and could, become. There are a number of very telling scenes in which Rik merely glares at characters when questioned, and in the opening scenes, his actions as a starving Carl pries open a tin of cat food speak much louder than words would, as do the expression of his group. No-one is talking back. They all now know he's their only real hope for spiritual and physical survival, and they accept his authority without question, (so far). All the while Rik never loses his compassion, or his well honed moral compass. At least, not yet...

And what of the new prison setting? Its as imposing, claustrophobic and bleak as we all hoped it would be. There are some fantastic scenes that take place in its dark, foreboding corridors. The episode finale, in which the group navigate its labyrinthine, pitch-black corridors using only torches, is the most suspenseful moment in the show since a much less experienced Rik got his sorry ass stuck under that tank way back in the day. The prison is going to be a fantastic setting this season, and as we all know, it'll be contrasted by a certain, simple-living town run by a lovely guy who goes by the name of, 'the Governor'. There's much to look forward to, folks.

As I mentioned earlier, there is a much stronger balance here between action and drama, and the action scenes do not disappoint. There may be more zombie killing in this episode than all of season two combined, yet thanks to great writing, it never becomes overbearing. This never has been, and never will be, a mindless romp focused on constant action and gore, (thank heavens), but its truly exciting to see the group kick some serious undead ass. The violence here, which is through the roof, helps to build character, and that's the key to making this show work.

The effects are as great as ever, and it seems with the shows success they may be allowed to go a little further, as this one felt right up there with Romero's DAY OF THE DEAD. It was bloody as hell, with faces sliding off, rotten, half eaten corpses, too many, (and too varied), kills to count and a final scene that just kicks your teeth in, and leaves us on a brilliant cliffhanger. This is horror heaven, right here, troops, and we should all rejoice.

THE WALKING DEAD has been great from the beginning, and despite some flaws, its always had a very loyal, loving fan base. Its brought people to the genre that previously thought horror to be stale and thoughtless, and its upped the stakes in what we expect from horror, both on television and in theaters. We should raise a glass to Mazzara and his team; they've listened, they've cared, and they've acted accordingly, and we get to reap the fine rewards. I can't see anyone outside the forum trolls, being disappointed. Its as good as TV gets. Exciting, pulse-pounding, scary and dark as hell. This is what horror is all about. And we still have The Governor to look forward to....

High hopes indeed...bring on the next episode!!!

(Authors Note : I'll be reviewing the rest of the season as it airs, so stay tuned for more reviews, guys. Love, Kyle)

10 Owl-Burgers out of 10

Review : Whitechapel (2008)

Stars:

Rupert Penry-Jones, Philip Davis and Steve Pemberton

A fast-tracked inspector, a hardened detective sergeant, and an expert in historical homicides investigate modern crimes with connections to the past in the Whitechapel district of London. 

I'm no 'Ripperologist', but I do boast a rather unhealthy obsession with the crimes, the myths and the madness that surround the infamous Jack the Ripper's killing spree.

At school, I performed a presentation on the circumstances of Mary Kelly's demise, in explicit detail, and was somewhat frowned upon by my bitch of an English teacher in the process. My parents received one of numerous letters pertaining to my 'strange fixations', (others included short Horror stories, a predilection for all things 'Stephen King' by age eleven, and the always present, 'Killers Casebook' which I bought monthly to study up on Dahmer, Gein, Manson and all the rest of those crazy fuckers.

Horror Hotel Cinema : Hammer House of Horror - The Silent Scream (1980)

Hello, one and all....

The Horror Hotel Cinema has yet another rare classic for your viewing pleasure, tonight. This one only runs at an hour long, as it is, in fact, part of a TV spin-off venture that the fabled Hammer Studio's partook of, in the last leg of their saga. The series was called, HAMMER HOUSE OF HORROR, and was a hugely successful, if short-lived, set of mini-movies, dealing in a variety of Horror's; (demons, occultism and haunted houses, among others), each one with a different cast, writers and director. It was very much the MASTERS OF HORROR of its time.

I'm unsure what impact the show had on the rest of the world, but in the UK it was a big hit, and has taken its rightful place in the public consciousness, spanning two generations. Its a fine show, with some fine acting, not least in THE SILENT SCREAM...