Showing posts with label Supernatural. Show all posts
Showing posts with label Supernatural. Show all posts

Monday, 30 September 2013

Horror Double Bill - CURSE OF CHUCKY (2013) and DARK TOUCH (2013)

It occurred to me recently that I've been treating horror cinema rather harshly of late. Our relationship has never lost that fire, but I've sorta been cheating on the genres cinematic output and focusing my attention far more on the literary side of things. I've been exploring a whole host of new authors, and re-reading some of the greats, and in doing so, I've partially abandoned the wondrous world of film for a time.

Not cool.

Well, its finally our favorite time of year - the fall, and with that comes that old familiar burning desire to vegetate on the sofa with endless buckets of popcorn, and give the better half a reason to dump our sorry, macabre-centric asses and find a more mentally balanced partner. 

I like to believe that for every leave that falls in the autumn, a horror fan somewhere on our crazy planet downs a cold one in honor of Jason, Micheal, Chucky, Freddy, Leatherface et all. Its a good time to be alive, man. And with the change in weather, I've found my second wind...

Yep, I've been watching a shit-ton of dark cinema this past week, and while it ain't all been a skip through a daisy field, there have been some pretty high watermarks to vanquish the bitter memory of the low.

But look, we're all busy here, so I'll cut to the chase...

Time ain't on my side of late, and it pains me to not get the word out about the movies I see, so I thought I'd try a different technique.

The reviews will be shorter than my usual, but hopefully concise, and maybe even point you in the direction of some movies you may have overlooked, or that may have been unfairly treated at the hands of the mainstream critics out there. Any suggestions are welcome, of course, kids.

So, no more foreplay...lets get on the bed.

Tuesday, 6 August 2013

Review : The Conjuring (2013)





Well hello again! 

The Horror Hotel is re-open for business. 

The perils of a new job, a new lifestyle, and taking a kicking from an 'as-yet-unspecified' illness, have led me to distance myself from the world of horror for a spell. I've been reading horror literature like a beast, (take a bow, Bryan Smith),  but I haven't really been grooving on the genres cinematic output. Too much going on, as it were. A mind unsettled makes for a poor companion in the cinema stalls...

That all changed when, out of the blue, I learned about a new horror film; (a ghost story to be precise), centered around the famous paranormal investigators, Ed and Lorraine Warren, (they of Amityville notoriety). A movie based on what they personally felt was their most disturbing case, and one kept under wraps until very recently, (and I won't divulge any details here). How could I resist? I love a good paranormal tale, even though by daylight I'm as skeptical and logical about such matters as can be; there's just something inherently terrifying on a primal level about a well-told spook story that never fails to freeze me blood and cut my imagination loose. As a rule, I always watch ghost stories alone, in the dark, with the shadows creeping around my shoulders for maximum effect as, (and all you horror aficionados will agree, I'm sure), it gets very hard to find effectively scary material out there. The more you watch and are exposed to; the less you tend to morph into a squealing little bitch.

Sunday, 18 November 2012

Review : Hellgate (2011)

 

Director:

John Penney

Writer:

John Penney

Stars:

Liz Burnette, Cary Elwes and John Henbest

This is a real shame..

I only learned about HELLGATE two days prior to its VOD release and I know they say you should never judge a book by it's cover;but that's exactly what I did with this one. Not just its cover, mind you, but its title. I'm a sucker for all things hellbound, and the artwork led me to believe that this would be the sort of film that comes along all to rarely, a hell-set horror with some real bite. Once again...I'm let down by my none-to-unrealistic expectations.

I've never understood why it seems so difficult to portray a valid hellscape onscreen. Its been portrayed with amazing vision and detail in many ways by many writers, (perhaps the most visionary being that of Edward Lee in his INFERNAL series(. There have been a few cinematic exceptions, of course...HELLRAISER and its sequel spring immediatly to mind, but for every film that proffers us a glimpse of Satan's crib, there's ten that promise so much but never bring the goods. Look at the otherwise excellent THE NINTH GATE. I waited two hours to catch a peek at the goods and all I got was bright light. How about DRAG ME TO HELL, which teased us with demonic imagery but never let us see the actual 'dragging' per-se, (and no...three seconds of bad CG doesn't count). Even CONSTANTINE, which portrays a very christian hellscape, only spends a few minutes there. Its not fair, man. I want me some hell to chew on.

HELLGATE doesnt even bother trying to depict any kind of hell at all, although on viewing, it becomes clear that there's no real reason to. The title is very misleading, you see, (it was originally titled SHADOWS, which while pretty poor, is far more accurate). Nope, HELLGATE is, for two thirds of its plat-time, a run-of-the-mill ghost story told, sadly, with little-to-no panache, creative zeal or verve. Its not a terrible film by any means...it's just so devoid of any real creative energy.

The plot revolves around some fella (Cary Elwes) who barely survives a terrible car crash in which his kid and his sexy Taiwanese wife are killed to bits. As he undergoes his recovery, (with help from an equally hot Taiwanese nurse...I really need to visit this place), he begins to experience visions...from beyond the grave!!! Stop me if you've heard this before. The premise here is mildly spiced up by adding some ritualistic silliness (by way of a severely slumming William Hurt), that may or may not have a basis in the regions traditional spiritualism, and the final thirty minutes does pick up visually and creatively, but its not enough to elevate this story from the mire. Its just too familiar, guys. Sorry.

I wont lie, Im a very easy scare when its comes to ghosts, apparitions and the paranormal, but HELLGATE couldn't muster one chill from me. For any genre fan, every scare will be old-hat, and every annoying jump-scare will be telegraphed way ahead of time, (seemingly on purpose by use of a grating, droning sound). The characters are very flat, the script is bare bones, and we never care one iota for the fates of these guys and girls. Elwes is a horror staple thanks to the SAW series, but he's not an actor with enough gravitas to pull something meaningful out of so little. I like the guy, and I believed him in SAW, but I'm never convinced by his performance here. Hurt fares better simply by being Hurt, but he too has nothing to work with. He convinces with ease, but there's nothing for the audience to hold onto.

Instead of character dynamics and intellect, we get fast-cut jump scares, some loud bangs, and a great deal of that shaky-head thing that JACOBS LADDER done so well, and that every other film has botched ever since. It just doesn't cut it. I really do believe that all involved tried to make a frightening film, but it never grips.

There are a few positives though...the film looks beautiful, (not least in its lead actress), and features some stunning scenery from the locations in and around Bangkok, and the ritualistic nature of certain scenes as the film moves from Bustling Bangkok to its jungle bound finale is mildly diverting, but that's about it, folks.

Theres really not much more to say about HELLGATE. It's really something of a non-entity. It doesn't insult and it may contain a few scares for the younger teen audience, but its a pretty hard work to slog through if your in any way horror-centric. I hate to say it, and I wish all the goodwill in the world to its creators, but I have to admit that it commits the most cardinal sin in the realm of horror...it's boring.

(And if you wanna check out some finer entries in our genre, head over to LOVEFILM, where you can watch movies online, anytime and as often as you wish, just skip this one).
 
3.5 Shaker-makers out of 10 


Wednesday, 14 November 2012

Review : Paranorman (2012)

 

Directors:

Chris Butler, Sam Fell

Writer:

Chris Butler

Stars:

Kodi Smit-McPhee, Anna Kendrick and Christopher Mintz-Plasse

A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.

Now, I don't pretend to know a great deal about the intricacies of stop-motion, but I sure as hell know what I like, and I'll take stop-motion over CG any day of the week.

Nothing against CG artists...they do an incredible job, but for this old rodeo rider, there's very few things in the world of cinema that can captivate and charm like a solid, traditional animated tale. I grew up with Ray Harryhausen's cavalcade of creatures, and I still return to those magical films regularly...they never fail to resurrect the monster-mad kid that lives in my time-weathered soul. Its even more impressive to view a full film created in stop motion, and few horror fans will proclaim anything but love for A NIGHTMARE BEFORE CHRISTMAS and MAD MONSTER PARTY, and its into this very small, but very much loved family that PARANORMAN belongs.

The most obvious and striking thing here is, of course, the visuals. The world in which the tale takes place is simply beautiful to behold.Its pretty hard to grasp the imagination its creators must possess to give such vivid life to these characters and their environments. Normals town is simply brimming with vibrant, ghoulish life. His world is one that's both delightful on the eye, yet strangely warped. Like all good family horror, PARANORMAN implements all the staples of the genre that we often subconsciously love; from ghouls and ghosts, to Ghost-House-luminescent green lighting, fog and gnarled forestry. Its a world peppered with genre in-jokes and a shamelessly geeky understanding of genre cinema. All is shot with an autumnal palette that really gives the film that 'Halloween' flavor.

In short...its a horror fans wet dream, and is sure to elicit gasps of joy from audiences of all ages as we travel deeper into this truly authentic and engrossing world. This ole' geek has no words to describe the admiration I feel for the artists, which makes it all the more saddening that there are so few of these old school movies released these days. If nothing else grabs you in this film, the stop-motion universe sure will suck you into its majesty, and you'll willingly succumb. In recent memory, only TRICK 'R' TREAT has so perfectly encapsulated what makes horror so beloved.

Now, onto the story..

PARANORMAN comes across like a twisted, Gothic fairy tale that melds retro cinema magic with a more cynical, modern bite. In the character of Norman, many horror fans will find real kinship. His bedroom is garbed with all manner of horror memorabilia, and he's something of an outcast in his school life and at home due to his love for all things macabre...who does that remind you of? He even has the HALLOWEEN them as his ringtone.

Okay, so most of us don't communicate with ghosts on a daily basis, but we can all relate to a slightly quirky kid who's tastes flow more easily to the dark side of life. Hes a great lead character, and a surprisingly deep and layered one for an animated family film. There's real warmth and humanity put into these once inanimate models. Take one look at the actors involved, (see above), and as you would imagine, the voice cast are stellar, with the mighty John Goodman stealing the show even in limited capacity as Norman's estranged, and strange, uncle, (who shares Normans gift of communing with the deceased).


And its funny too, in a quirky, slightly queasy way. The jokes are often tinged with black humor, but often hit the mark as Normans world becomes ever more strange. For example, one early scene features the ghost of a family pet that has been sliced in half...the front half trots around behind the back half to sniff its own ass. Some would say its dark, or even distasteful, but I can see kids being delighted by this stuff. Kids are far less fragile than we think, and the many horror/adult elements that the film boasts should be plain sailing for most children. Haunted woods, spooky green witches and the living dead are all, well...kids stuff. The more adult themes, (which are central to the story) of familial acceptance, persecution, grief and injustice are deftly handled and with a real warmth. Our young ones can take it, at least when portrayed in such a gentle manner as they are here.

Don't get me wrong, the film does contain some freakishly tense moments, (for kids, I mean); I'm just saying that that is no bad thing. We all grew up with this sort of stuff. It shaped who we are. We'd be some unbelievable bastards if we didn't allow our little ones the same pleasures. When I think of horror in my head, I don't think of MARTYRS, or I SAW THE DEVIL. As great as those more adult works of horror are, I think of the glorious Technicolor terrors of the classic Hammer Films, or the fog-enshrouded forests of THE WOLFMAN. Childhood is the place where our love of the macabre takes root, and PARANORMAN fits perfectly into that mold. The constantly eerie visuals...the dark humor...the genuine love for horror past and present...the heartfelt message behind the tale...all these things conspire to make this a dead-cert future Halloween classic.

My daughter has only been on this planet for just over a year, and when watching PARANORMAN, only two things kept crossing my mind...1/ This is fucking awesome, and 2/ I can't wait to watch this with my baby girl. You cant really ask for more than that.

The story isn't exactly original, but that's besides the point here. this isn't about originality for all of us. For the kids, sure, but for the adults its all about familiarity and wistful memory. the balance is near perfect. There's also a timely and thoughtful message behind the tale which is easy to grasp for children without being in any way inauthentic. What we got here is a lovely blend of genre excess and emotional subtlety that holds up with the very best family films out there.

PARANORMAN will appeal to all ages. Its charm and wit will win over non-horror fans, and its ghoulish visual pizzazz will have old school fans salivating. Kids will adore and relate to the central character and his offbeat friends,(Mintz-Plasse is particularly hilarious), and the cinephiles will have a confidently crafted, stylishly directed and beautifully scored slice of offbeat cinema to chew on.

If, like myself, you a cineaste, an old school horror fan and a kid, (inside your heart),...well, you just found yourself a new Halloween tradition that just begs to be passed down to the younger generation. PARANORMAN is a fun, bittersweet tale that will captivate and touch audiences of all ages.

9 Witch-Hunters out of 10

Saturday, 3 November 2012

Review : Paranormal Lack of Activity 4 (2012)



Authors Note : First of all, lemme just say HAPPY HALLOWEEN to everyone!

Sorry it's so belated, but my Internet was down for an extended period of time, and unfortunately, it happened just as our fave time of year came calling. So be it, gotta take the rough with the smooth, man. I did manage to watch a ridiculous amount of Horror during the season, as is my duty and my passion, and have a tidy little backlog of films to set about reviewing, (including, of course, THE WALKING DEAD S3E3). Bear with me folks. Now, onto the first of this months reviews....

Oh, and this review/rant will feature some spoilers, as its impossible to detail the films myriad flaws without exploring some of the plots more ridiculous twists. I'll keep the spoilers to a minimum, guys, although there's really nothing to spoil.

PARANORMAL ACTIVITY 4, should you not already be aware of this, is a full-tilt  disaster. I'll just throw that out there right off the bat for anyone who may be about to make the dire mistake of paying to see this nonsense. I'll give my reasons why its such a mess in due time, but in the slim chance your glancing at this review just as your putting on your jacket and heading for the door; mark my words.....do NOT pay to see this thing.

Buy something nice for your better half. Buy some Scotch and drink yourself good-looking. Hell, give your money to that homeless fella with the winning smile outside your local cornershop. I guarantee you'll feel better about yourself for doing it, and he deserves it a fuck-sight more than the makers of this franchise killer, even if he is sniffing bath-salts.

Speaking of the franchise; I'm a fan, by the way...

Monday, 8 October 2012

Review : V-H-S (2012)



Now here's a fresh idea...

Get together some well known names in independent cinema/horror cinema together and set em to work on a horror anthology. Not just any horror anthology, but a found footage horror anthology. How bout them apples?

This premise has understandably got a lot of horror fans excited. Its trying something new, and the wealth of talent on display has to point to good things abounding. Not to mention VHS is getting great reviews from tit to top-hat, as all and sundry praise it as a 'gem', and one of the years best. I wasn't buying the hype then, and I'm not buying it now.

I'm in the minority, but I often feel that anthologies don't quite work as a whole, (other than the mighty TRICK 'R' TREAT and CREEPSHOW). While they can be fun, they feel more like fast food than a hearty meal, and almost always lack depth, character and balance. Not to mention your practically gaurenteed at least one weak-sauce short story in there. Its a given. So, you can see why my excitement levels were running pretty low for this one.

Monday, 24 September 2012

Book Review : The Bighead by Edward Lee



Jesus, where to begin with a novel like THE BIGHEAD....

Anyone who's dabbled in the fetid, murky waters of author, 'Edward Lee' will generally know what to expect with this one.The man is not celebrated for his sense of restraint. In fact, of all the modern generation of underground horror writers, Lee is perhaps the most notorious. His deeply alarming imagination and total lack of respect for literary censorship has seen him produce some of the most disgusting and morally reprehensible works of all time; the sort of shit that would give Marquis De Sade a case of the flaccid Williams.

A brief history for the uninitiated...

Lee could be considered part of the second wave of horror that began in earnest with the late, great Richard Laymon and his pals. A form of literary horror that came to be termed, 'Splatterpunk'. In this most infamous of genres, nothing is left to the imagination. Theres an unspoken contract between writer and reader that the work will most probably be upsetting, will definitely be violent in content and graphic in the extreme, and on rare occasions, may leave you questioning your worth as a human being. You may come to regard yourself as something of a pervert for enjoying this stuff.

Without stroking my own chain, I must state that I have read a huge number of the books that have grown from this artistic ideal. Laymon, Keene, Ketchum, Smith, Little and many more have reshaped the way I think of horror fiction. Stephen King and the like seem like kids stuff these days. Literally. Their work feels like a rights of passage before you get to the really fun stuff. I love King, Koontz and chums, but I prefer a harder kind of horror.

Edward Lee is as hard as it gets. He's a man gifted with a rare sense of the grotesque, yet one bolstered by a vision that is often grandiose and epic in scope. In CITY INFERNAL and its sequels, he envisioned hell as a city; too vast to truly comprehend and filled with terrors and tortures that make the christian hell look like Disneyland. Also of note, he's a man with an undying love for the works of H.P.Lovecraft, and like many of his peers, he often dives headfirst into the mythos created by the great man, while taking it further...much, much further. These are fine tools to have in your armory if your heading out into the world as a horror author. Lee sits at the top of the pile.

I've read a great deal of his work, and going into THE BIGHEAD I thought I knew what to expect. But with this charming little tome, the man goes above and beyond anything I've ever come across in the genre, by far. THE BIGHEAD is the single most demented, disgusting and unforgivable piece of exploitation fiction to ever break free unrestrained from the human psyche. Suffice to say, I loved it.

It's the only novel I can recall with which I've stated to myself, that,  'I ain't reading one more page of this sickening filth!', only to throw the book down, stare at it in disgust for a few minutes, then pick the fucker back up and start reading again. When a piece of art can disgust and attract me simultaneously to its dark dementia, I have to hold it in respect.

I wont give away any of the countless scenes of unthinkable perversions in this book, but I will say that it is guaranteed to shock even the most hardened reader. Its balls are huge, the attention to detail is sick-bag-on-standby stuff, and the relentlessness of the darkness that pervades the tale is exhausting, but its just so damn well written that you cant let it go.

Herein ye shall find a giant mutated hillbilly/monster, (who's sexual and culinary habits are unspeakable even in this here Hotel), a pair of demonic Nun's sent from the pits of hell to habitually torture and rape, a helpless priest in the most vile ways ever written, a sex-addict who can't get enough junk in her trunk, two moonshine trading serial killers who know no limits, a self mutilator who goes to ridiculous extremes, and behind and surrounding it all, a dark, demonic mystery as to who the 'Bighead' is, and  how this disparate group of fuck-ups, psycho's and devils all relate. Its sheer brilliance.

The gore, of course, is often almost unbearable, and takes up a huge chunk of the narrative, but its all for a purpose which will not become clear lest the reader mans up and trudges along till the climax. Hell, Its not like the journey ain't fun. Its so sick and twisted that its often laugh out loud. Hopefully, your not taking this stuff too seriously. The explicit violence is smartly balanced with a sly, degenerate wit that manages to make the whole thing not only bearable, but hugely enjoyable. There are so many twists and turns here, in what seems to be a simple tale, that your left in no doubt by the novels heartless, darkly humorous finale, that what you just suffered through was a work of unmitigated genius. Were this nothing other than extreme gore and violence, it would simply lay claim to the most disgusting horror book ever written. A sort of 'Snuff Novel', if you will. But with Lee's precision storytelling, a deeply involving mystery, and some fascinating and perfectly realized characters, the whole thing becomes nothing less than a classic of its time.

Most wont be able to handle Edward Lee's THE BIGHEAD. Its his most repulsive work, after all, and that's no small feat considering the mans other tales. Though in many ways, its his most accomplished work also, and boasts his most memorable characters, and scenes, (oh, how I wish those scenes were less fucking memorable).

Those of you who take up the gauntlet and manage to read the damn thing will most likely feel ashamed of yourselves for doing so. Questions will arise in your soul as to what the fuck you were thinking. You may have to make some form of atonement for enjoying such a perverted work of the devil. You may pray for salvation for your rotten eternal spirit.

But when all is said and done, and you somehow convince yourself once again that your a good and moral person, the chances are you'll find yourself looking up at your bookshelf, seeing that damn disgusting book sat atop your pile, and without knowing, a smile will bloom on your face. You made it out in one piece.

Perhaps you'll make it out just fine the second time, too...

10 CRACKHEAD BLOWJOBS out of 10

Sunday, 16 September 2012

Review : Dark Shadows (2012)

Director:

Tim Burton

Writers:

Seth Grahame-Smith (screenplay), John August (story), and 2 more credits »

Stars:

Johnny Depp, Michelle Pfeiffer and Eva Green

An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection. 

First of all...what the hell is it with Tim Burton and remakes?

The man used to knock out some interesting and original films. Sure, he's always had a problem from a storytelling point of view, but from a aesthetic standpoint, his films were the very definition of quirky. The stamp of his artistry was all over them, top to toe, and even when they fell flat in the plot department, the visual flair and the dedication to 'the weird' made them must see movies.

Compare EDWARD SCISSORHANDS to CHARLIE AND THE CHOCOLATE FACTORY...there is no comparison. One is a unique and heartfelt take on isolation, filtered through a fairytale gothicism that's damned near irresistible, and the other is an overblown, rehash of a stone cold classic, which replaces the magic of its central character with a creepy as hell, Micheal Jackson mutation that's more likely to strike soul freezing terror into children than entrance them. Its like the man got so far in his career and decided, 'you know what, I'm tired of standing for something. I think I'll just remake/re-imagine every damn thing that comes my way'...

Review : Silent House (2011)

Directors:

Chris Kentis, Laura Lau

Writers:

Gustavo Hernández (film "La casa muda"), Laura Lau (screenplay)

Stars:

Elizabeth Olsen, Adam Trese and Eric Sheffer Stevens
 
Trapped inside her family's lakeside retreat, a young woman finds she is unable to contact the outside world as events become increasingly ominous in and around the house

I never caught the original SILENT HOUSE, and in truth, I had no real desire to catch this American remake. For one thing, a remake so soon after the original always feels like an insult to audiences intelligence to me, (yes, we can read subtitles; just release the original work), and as the films whole 'hype', if you will, was based around the fact that it is filmed, or at least appears to be filmed, in one continuous take. In short, its a gimmick, and to be quite frank, i couldn't give a good fuck about gimmickry, in any form, (unless William Castle is behind it). I'm interested in story, plot development, atmosphere and character. Without those things all fitted in place, bravado camerawork and directorial flourish really doesn't appeal to me. The story is God, if you will. SILENT HOUSE, in concept, sounds, (and is), pretty familiar ground. At its core, its essentially a home invasion movie, with an undercurrent on supernatural mystery to sweeten the taste. I dig these films, but they have to bring something fresh to the table. MOTHERS DAY, INSIDE, IL'S/THEM......now those are home invasion movies.

Saturday, 25 August 2012

Horror Hotel Cinema : The Maze (1953)


A slice of homegrown horror for you tonight...

Well, not quite, though this quaint and atmospheric little chiller is set in the remote Scottish Highlands, I'm purdy sure it wasn't filmed there. This is studio bound as they come, folks. And you all know what that means.....fog, great lighting, picturesque as hell, and Gothic as all get out. Good times, old chaps!

The plot revolves around a dashing Scotsman, played by the ever excellent Richard Carlson, (THE CREATURE FROM THE BLACK LAGOON, IT CAME FROM OUTER SPACE), who is heir to a spooky Scottish castle, and breaks off his engagement to some hot 50's dame to return to the family estate after learning his uncle has went to the big caber-tossing competition in the sky. Said ladyfriend doesn;t hear from the fella in weeks, and decides to go investigate the situation for herself. Soon, she's up to her flapjacks in misty mountains, crumbling castles, aging actors and macabre mazes. And you, the audience, are in for a fun, old-timey ride.

Admittedly, its a little slow to get going, but Carlson holds the interest with a fine performance, and when the action does shift to my bonnie home-world, things pick up pretty quickly. Its a spooky, atmospheric work, and it has a very entertaining and worthwhile finale. And yes, that means its ridiculous and features a cheap, rubber beastie!

So, stop reading, and start viewing.

And stay the fuck away from Haggis....



Wednesday, 15 August 2012

Review : Nailbiter (2012)

 

Director:

Patrick Rea

Stars:

Joicie Appell, Emily Boresow and Jason Coffman

I first heard NAILBITER being described as being very much like an early X-Files episode. You know, one of those 'monster of the week' numbers that many of us enjoyed so much back in the day. And while its true that it is reminiscent of one of those ideas, NAILBITER, sadly, the comparison only runs as far as its idea's.

It begins promisingly enough, with a slightly dysfunctional family, (one mother, three daughters), being caught up in the eye of a tornado and having to take refuge in the basement of a seemingly abandoned house out in the countryside. Once the storm passes, the family find that they are not alone, and are being held against their will in the basement by someone/something unknown.

Monday, 13 August 2012

Review : The Corridor (2010/2012)

 

Director:

Evan Kelly

Stars:

Stephen Chambers, James Gilbert and David Patrick Flemming

If any further proof were needed that low-budget, independent cinema is the breeding ground for intelligent and unique horror, THE CORRIDOR should put all lingering doubts to rest and seal the deal once and for all. What will understandably first appear as yet another cheap exploitation flick very quickly subverts all expectations and rises above the crowd to become one of the most thoughtful, disturbing and resonant horror films in recent years.

The plot, going in, feels bare bones and time-worn....a group of lifelong friends are invited to a remote cabin in the woods by one of their number; an estranged friend who, one year previous, went a little insane after watching his mother die, and struck out violently at his friends as they tried to help him. The friends all arrive at the cabin to find their old buddy awaiting them, and as the already fragile groups distrust in their once beloved companion increasingly fractures, blood begins to flow....

Sounds like standard slasher fare, right? Well, THE CORRIDOR uses this simple set-up as a jumping point for a tale that goes to some very dark, completely surprising places. Its a film made crafted with skill, intellect and poise.

Friday, 15 June 2012

Review : The Pact (2012)


Stars:

Caity Lotz, Casper Van Dien and Agnes Bruckner

As a woman struggles to come to grips with her past in the wake of her mother's death, an unsettling presence emerges in her childhood home.

Good ghost stories are few and far between, so you may be inclined to bypass the latest American offering in the sub-genre, THE PACT, on your way to more fresh, original shores, but this one is definitely worth a look.

Far from the big budget bombast of INSIDIOUS, this low-budget chiller takes the more subtle route, raising hairs through claustrophobic camerawork and good old fashioned, 'less-is-more' dread.

In essence, THE PACT is a simply told haunted house story, and it does admittedly lack originality in its early scenes, but where it fails to impress as an original tale, it truly shines as an exercise is nuanced atmospherics and style.

Ghost stories will be with us forever, and there's only so many variations on the theme. Of late, filmmakers have to push themselves further in the idea department to keep an audience on their toes. What director Nicholas McCarthy sets his sights on in the first two acts is, instead, a deep sense of unease, punctuated by moments of stark, scary as hell horror. He's a man with a sure eye for what makes a truly frightening film work, and its evident from frame one that this guy has the skills to go all the way.

Wednesday, 30 May 2012

Horror Hotel Cinema : Night of the Eagle (1962)



A real classic here, folks.

I like to mix it up in the 'Hotel Cinema'. We all love some cheese in our diets, and there's little in life as fun as a good B-movie that misses every single target it aims for; but equally, there's little as satisfying as discovering a long-forgotten gem that's been buried by the sands of time.

I cam across NIGHT OF THE EAGLE by accident, sometime last year. I was researching the history of one of my all-time favorite films, NIGHT OF THE DEMON, when a link led me to this baby. Its reputation preceded it, so I had to have a look. I'm very glad I did.

While its not in the same league as Tournier's masterpiece, (in my mind), its still a very powerful and chilling work, that's as effective today as I'm sure it was on release. It deals with similar themes of witchcraft, black magic and the dark side of the supernatural, yet has a pretty darn original storyline that's all its own.

The atmosphere is fog-thick, and the sense of unease that grabs you as the tale unfolds is palpable. One thing though...any arachnophobic kids out there, (such as myself), had best steel themselves for a few nasty surprises. The first half of the film boasts a few eight-legged frights that almost made me turn it off. Get past that though, and you have a wonderful, lost gem that puts today's supernatural horror movies to shame.

The plot deals with a man who finds out his loving, devoted wife is actually a practicing witch; and on learning this, he sets that lady straight and has her turn away from all that voodoo nonsense. Bad idea, chum. Bad idea.

Dim the lights, fill the kids with Whiskey and throw them to bed, and get your ass seated for a classic.

Don't mention it...


Friday, 18 May 2012

Review : Son of Dracula (1943)


Director:

Robert Siodmak

Writers:

Eric Taylor (screenplay), Curt Siodmak (story)
Count Alucard, (yep, you heard me...), is going on holiday! He's heading to the bayou to get hitched to an adventurous rich gal who has her sights set on immortality. Go Al..... 

Its pouring with rain here in the dark lands of Scotland, and there's no better time in my eyes to gaze back in wonder at the halcyon years of Hollywood and the great Universal Classic monster movies that shaped our wonderful genre in its infancy. My motto...when the night is dark and stormy, reach for the classics...

Tuesday, 15 May 2012

Review : Ghost Rider - Spirit of Vengeance (2012)

 

 

Directors:

Mark Neveldine, Brian Taylor

Writers:

Scott M. Gimple (screenplay), Seth Hoffman (screenplay), and 2 more credits »

As Johnny Blaze hides out in Eastern Europe, he is called upon to stop the devil, who is trying to take human form.

I have to be honest with you folks, I never gave a rats ass about the original GHOST RIDER adaptation, either way. I enjoyed it as a popcorn, intellect-free escapist jaunt, but it never left any great effect for good or ill in my ole' bonce.

Before seeing it, the closest I'd come to this iconic character was listening to, (and loving), the song GHOST RIDER by minimalist drone-rock pioneers, SUICIDE. He sounded like a cool cat in that song, man, and if the visuals of the first film were anything to go by, he most likely was a cool cat. The characters visage is just about as iconic and bad-ass as it gets, and I'm assuming that he's a character who lends himself to the more heavy-metal friendly comic-reading audience. His origin is pretty fuckin ace too, and I hope one day to look into the character more deeply; but for now, I'm gonna have to review this sequel to his first cinematic foray as a plain old-fashioned film-fan.

I've heard the complaints leveled at the original movie, and the certain timidity it displayed, even when in comparison to other super-hero movies. It did feel lacking, even as a clueless popcorn muncher, I have to admit. Good news, then. The sequel goes some way to rectifying this problem.

Sunday, 6 May 2012

Review : The Devil Inside (2012)


Time can literally stand still...

Suffering through 'found-footage' fuck-up fest, THE DEVIL INSIDE is like vacationing in the abyss. Its an unending, mindbogglingly shit plummet into Satan's toilet bowl. Fit for consumption by none.

It takes a lot to get my rankle up when it comes to found footage films. It really does. I'm one of the few, ostracized souls in the horror field who actually sees great merit in the movies, (when done right, of course). Hell, the last movie I reviewed was a shaky-cam shocker, THE TROLL HUNTER, and it was deliriously engaging and entertaining. While I sometimes feel like I'll have to rename this place 'THE FUCKING FOUND FOOTAGE HOTEL', I still get a kick from these films. I'm at half mast just thinking about REC 3, I enjoyed the hell out of CLOVERFIELD and I can't bring myself to get on the vitriol wagon for the PARANORMAL ACTIVITY series, either. Its an immersive filming technique when done with panache.

THE DEVIL INSIDE is not done with panache. Nope. Not at all.

Wednesday, 29 February 2012

Review : Skew (2011)


Director:

Sevé Schelenz

When Simon, Rich, and Eva head out on an eagerly anticipated road trip, they bring along a video camera to record their journey. What starts out as a carefree adventure slowly becomes a descent into the ominous as unexplained events threaten to disrupt the balance between the three close friends. Each one of them must struggle with personal demons and paranoia as friendships are tested and gruesome realities are revealed...and recorded.

As the 'quick-of-wit' among you may have deduced from the above synopsis, SKEW is a hand-held/found footage film....

I just wanted to get that straight right away. Now, I make no secrets of having a love for the handheld sub-genre, even though around 90% of the outcome of such ventures results in shit. When it works, it makes for a brilliantly immersive experience. And SKEW works.

Before I get into what makes this film so unique among its peers, I should first point out that the film was complete in 2005, and was in production for a number of years before that. Its not part of the current trend that our genre is awash in. Director, Seve Schelenz, has stated that THE BLAIR WITCH PROJECT was an inspiration, but this is in no way yet another cheap cash-in. There is very little that could be labelled 'bandwagonesque' about this little slice of horror. While the influence of BLAIR WITCH is clear, the path that SKEW takes is very, very clever, and makes for a surprisingly tense experience to boot. Seve has clearly taken the time and the care to craft a film that stands completely on its own terms. He never sacrifices intellect for scares, and he uses his miniscule budget to enhance the work, not allow it to hinder it.

Tuesday, 21 February 2012

Review : The Woman in Black (2012)

Director:

James Watkins

Writers:

Susan Hill (novel), Jane Goldman (screenplay)

A young lawyer travels to a remote village where he discovers the vengeful ghost of a scorned woman is terrorizing the locals.

Walking into this, the second screen adaptation of Susan Hill's wonderful THE WOMAN IN BLACK, I was a roiling cocktail of mixed emotions. I love the 1989 TV version with a passion. I believe it to be one of the most chilling and effective ghost stories ever put to screen, and have rarely seen its equal, on the small screen or the large. So I was understandably worried about the very real threat of a big budget remake. Experience has taught me that when it comes to classic ghost stories, big budgets and subtlety rarely compliment each other.

On the other hand, this is the fourth release from the newly re-birthed Hammer Studios, and anyone who reads my incessant ramblings will know that I have a lifelong, and unquenchable love for Hammer. That film studio is the image and the soundtrack to my childhood nightmares, and has become a comfort to the older, slightly doddering version that stands before you now. Hammers early Horror output is much like a group of family members who's memory I just cant let go of. Nor do I want to.

So far, the re-emergence of Hammer has produced a mixed bag of goodies. Their first release, WAKE WOOD, inspired me to write my first ever review, (you can read the review here), and to build this here Horror Hotel, as it now exists, . WAKE WOOD was a refreshingly old school tale that managed in many ways to capture a number of staples of the Hammer classics, and bring them into a modern environ. It was a fine start, though it was still some distance from the lush grandeur of HORROR OF DRACULA, THE GORGON, CURSE OF FRANKENSTEIN et all...

Tuesday, 14 February 2012

Horror Hotel Cinema : Valentines Midnight Show - Shutter (2004)



It's Valentines Day. And what better gift for Hotel Management to give you lovebirds, than some old-school, ghostly goings on, that'll have you holding each other close in the small hours of the night? For tonight's midnight show, we would like to introduce, or at least re-acquaint you, with the pant-soilingly scary, and altogether excellent SHUTTER.

Before you start sending the hate mail, and hand your ticket, (and lube) back, let me take a moment to assure you that you are NOT about to suffer through some poorly scripted, terribly acted, artless, gormless and utterly shallow piece of celluloid trash that couldn't scare a fucking cat on acid. No....this is the original SHUTTER. You know, the good one, the one with potent themes of Karma, guilt and retribution? Yeah, that one. Not the bastardised-beyond-all-Thunderdome remake that burned eyes and minds in the states a few years later, and forever tarnished the originals legacy.