Set in the Channel Islands on the eve of D Day, two Kiwi commandos, sent to destroy German gun emplacements to distract Hitler's forces away from Normandy, discover a Nazi occult plot that may help them win the war once and for all.
Hands up those of you who don't get giddy at the idea of a Horror movie dealing with Nazi's and the occult. Anyone? Didn't think so. These two concepts are as endlessly fascinating today as they were when Micheal Mann directed THE KEEP, or when good old Indiana Jones was tackling the bastards back in RAIDERS OF THE LOST ARK, and THE LAST CRUSADE. There is something inherently attractive about such a dark subject matter, even when its handled lightly, as in the Indiana Jones film's. It's widely known that Hitler had a compulsion towards the occult, and took the whole thing very seriously, adding an element of reality to any film that focuses on the subject. Sure its all fanciful stuff, but the viewer often find themselves asking that most eternal of all Horror fans internal questioning. What if?
Hands up those of you who don't get giddy at the idea of a Horror movie dealing with Nazi's and the occult. Anyone? Didn't think so. These two concepts are as endlessly fascinating today as they were when Micheal Mann directed THE KEEP, or when good old Indiana Jones was tackling the bastards back in RAIDERS OF THE LOST ARK, and THE LAST CRUSADE. There is something inherently attractive about such a dark subject matter, even when its handled lightly, as in the Indiana Jones film's. It's widely known that Hitler had a compulsion towards the occult, and took the whole thing very seriously, adding an element of reality to any film that focuses on the subject. Sure its all fanciful stuff, but the viewer often find themselves asking that most eternal of all Horror fans internal questioning. What if?